Tuesday

REAL NEW YORK STORIES! with Karl Monroe


New York in the 1970's was a different city than it is now, a different world altogether. But not just in comparison to today. After World War Two, it was among the the richest cities in the world, the glittering jewel of the Eastern Seaboard and still an embodiment of the "American Dream", but a mere twenty years later it had declined into an aging, crumbling cesspool of violence, crime, and urban decay.

People had always flocked to the city, searching for prosperity, trying to find a better life. But many 'unfortunately' stayed poor, and from 1961 to 1969 the number of people on welfare had tripled, and this, combined with bad inflation, and years of ineptitude by the city's money managers, left the city on the verge of bankruptcy and financial ruin.

Today's most popular and hip areas were nothing like they would become decades later. Now iconic artists such as Chuck Close and Robert Rauschenberg had only begun to move into the raw cold-water lofts of Soho then, and after business hours, once the manufacturers and garment workers had left for the day, the area was a desolate wasteland, with visitors in danger of being mugged by "Italians" from the surrounding neighborhoods.


West Broadway and Houston, looking south into SoHo - WTC in distance.

The East Village, a bombed-out hellhole with landlords who would set fire to their empty buildings rather than pay property taxes, was headed towards becoming the drug infested squatter warzone that it was in the 80's, and the West Side Highway, the first elevated highway in the world, now home to luxury lofts and tree-lined jogging paths, actually collapsed in 1973 under the weight of an overloaded dump truck carrying the very asphalt meant to repair it.




The highway was then closed between Canal and 18th Street, and subsequently parts of that area and its abandoned piers became a shantytown for the city's derelict homeless, its sex maniacs, and its heroin addicts (which numbered 200,000 by the mid seventies).



The subways were filthy and dangerous, and the streets unsafe. In 1973, 2040 people were murdered in New York City, and there were over 80,000 robberies. Car theft became so lucrative that over 112,000 cars were stolen that year, and one mafia crew, under the Gambino family, led by Roy DeMeo, (below)



known as the "Murder Machine" for being the most 'prolific' hit men ever in organized crime (suspected by the FBI for killing 70 - 200 people in the late 70's and early 80's), began devoting time purely to stealing them, going so far to ship up to 70 cars at a time on freighters to a connection in oil rich Kuwait.

"Broadway Freddy" DeNome, (right), member of the DeMeo crew, pro drag racer, car thief and hitman, with one of his race cars.



Needless to say, there was easy access to all of society's ills - drugs, guns, prostitution - but there was still some effort involved, some protocol required, to 'gain access' some of these things. You had to know somebody, or some thing, and here's a REAL NEW YORK STORY about just that.

This is where the "Pizza Box", on Bleeker Street near MacDougal, comes in.





The Pizza Box is a typical New York Pizza place - nothing fancy, but serves a good slice the way you want it. It's still in the same spot it always was, and is still a popular stop today for pizza eaters in the Village. But back in the 70's you could get something more than a slice of pizza there, if you knew how to ask for it.

"Hey how 'bouta plain slice", you would ask, "And also could i get directions to the World Trade Center?" That was the code.

Back then a slice was around 50 cents, but in this situation you had to hand over a fifty dollar bill, and while the guy behind the counter heated and wrapped up your slice, he also gave correct directions downtown to the World Trade Center, "that new building they're building downtown".. (The second WTC tower was finished in 1973)



You said "thank you", grabbed your white paper bag wrapped sideways over the pizza with one hand underneath (as you would), and walked out. When you casually strolled down the block and around the corner, or sat down in your car, and reached into the bag, you not only found a hot slice of pizza, but an unmarked, untraceable .38 caliber revolver.

Welcome to New York.



You can try it today, but you'll probably only get a slice and $47.50 in change.

-KM

Saturday

For The Mod Who's Had Enough....

PIN-UP OF THE WEEK

Daughter of 50's rocker Marty Wilde, who came from the same stable of dashingly named British rock n roll stars as Billy Fury, Dickie Pride, and Vince Eager (no, not the cast of a torrid gay romance novel), Kim's first album came out in 1981, and of course, featured the hit "Kids in America", but it and her following albums contained several other good songs, all in the same guitar/synthesizer vein, and written by her father and her brother, who played in her band (just the brother) - check out "Chequered Love", "Cambodia", and, "View From A Bridge", among others....







Click here to look at Kim's Fan Club Magazines

-KM

THEN and NOW....

Bleeker and Lafayette, THEN....

And NOW...

Wednesday

And Now A Word From Our Sponsor....

IN HEAVEN...


From THE GUARDIAN, Monday 23 December 2002...

Punk pioneer Joe Strummer, a musical and political inspiration for a generation, has died aged 50.

The former Clash frontman died of a suspected heart attack yesterday at his home in Somerset.

U2 singer Bono called the Clash "the greatest rock band" and said they "wrote the rule book" for later acts.

Billy Bragg said Strummer was the driving force who helped give punk its "political edge".

Writer Jon Savage said: "In 1977, the Clash did one of the best live shows I've ever seen. Joe Strummer in particular gave it his all - and thereby inspired a whole generation."

Born in Ankara, Turkey and the son of a diplomat, Strummer, whose real name was Mellor, was middle class and public school educated but became a hugely admired figure as the musical voice of rebellion.

The Clash scored 16 top 40 hits including Rock the Casbah, Bankrobber and I Fought the Law. Should I Stay or Should I Go? reached number one after the group split up when it was used in a Levi's ad.

The group's third album London Calling was named the greatest album of the 80s by Rolling Stone magazine - even though it was released in 1979.

The news of Strummer's.death was announced to the world today on his official website. A message dated December 23 on strummersite.com reads: "Joe Strummer died yesterday. Our condolences to Luce and the kids, family and friends."

A statement issued by his publicist said Strummer "died peacefully at his home in Somerset". It added that the musician's wife Lucy, two daughters and stepdaughter "request privacy at this harrowing time".

Strummer -singer, guitarist and songwriter - was the creative force behind the Clash, along with Mick Jones.

Strummer and Jones began writing two-minute, three-chord punk anthems such as White Riot, but eventually diversified into reggae, funk, blues and rap. In many ways they were at the forefront of world music.

The pair had a strained relationship and Strummer - famed at the time for his mohican haircut - ousted him from the line-up in 1983. The band limped on with new members but called it a day in the mid-80s. They always resisted lucrative offers to reform, unlike their contemporaries the Sex Pistols.

Today Bob Geldof - a musical contemporary as frontman for the Boomtown Rats - today said he admired their refusal to sell out. "I know for a fact they were offered huge amounts of money," he told the BBC. "They just said no, that isn't really what we stood for. That's truly admirable."

He added: "They were very important musically but as a person, he was a very nice man."

Bragg said his political imagination had been fired by Strummer, after seeing the Clash at a famed Rock Against Racism show in east London's Victoria Park.

"I have a great admiration for the man," he said. "His most recent records are as political and edgy as anything he did with the Clash. His take on multicultural Britain in the 21st century is far ahead of anybody else," he told the BBC. "Without Joe, there's no political Clash and without the Clash the whole political edge of punk would have been severely dulled."

Bono planned to work with Strummer next month on a Nelson Mandela tribute track for an Aids fundraiser show in South Africa. He said today: "The Clash was the greatest rock band. They wrote the rule book for U2. It's such a shock."

Strummer made a number of film appearances, including Jim Jarmusch's Mystery Train and Alex Cox's Straight To Hell. The Clash also made a cameo in Martin Scorsese's The King Of Comedy and starred in their own film, Rude Boy.

He had a brief stint as singer with the Pogues in the early Nineties and by the end of the decade had formed a new band, the Mescaleros. He had long resisted lucrative offers to reform the Clash and preferred to develop new music rather than dwell in the past.

It long irritated him that the spectre of the band cast its shadow over his solo work. The band finished a tour just a month ago, during which he performed with Jones for the first time in almost two decades at a firefighters' benefit show in west London.

The Clash had been tipped to finally play together for a one-off performance next year as they were inducted into the Rock'n'Roll Hall of Fame in the US.

A post-mortem examination is due to take place tomorrow to establish the cause of death, which is not thought to be suspicious.

Saturday

Reich-N-Roll

After several months of cultivating a "secret" connection within the FBI, our minions have finally been able to produce these never before seen correspondences (until now) on the subject of Wilhelm Reich, and his incarceration for experimentation on Orgone Energy. Follow the chain of command all the way to the top and you'll find no less than the famous cross-dresser and all around closet-case, J. Edgar Hoover. Funny how the ones pointing their fingers always have something to hide...
Sure, half the staff at the LAS Offices are perverts, kooks, or weirdos of some variety, but we don't try to conceal it - See the distinction?

The Tentacles of the International Lost At Sea Global Worldwide Network (ILASGWN) reach far and wide, and we will stop at nothing to continue to bring you the latest developments on this subject.

Read more about it HERE




Wednesday

HIROSHIMA MON AMOUR - 65 Years Ago Today..

- AUGUST 6, 1945: U.S. AIR FORCE BOMBER 'ENOLA GAY' DROPS ATOMIC BOMB ON HIROSHIMA, ULTIMATELY KILLING 166,000 PEOPLE.


(photo actually of Nagasaki blast)


The Hiroshima bomb was nicknamed 'Little Boy'.

A second bomb was nicknamed 'Fat Man'.



Three days later Enola Gay drops Fat Man on Nagasaki.

Six days after Nagasaki bombing, Japan announces its surrender to the Allied Powers.



- JUNE 10, 1959: FRENCH FILM DIRECTOR ALAIN RESNAIS RELEASES 'HIROSHIMA MON AMOUR', A DRAMA ABOUT AN INTERRACIAL FRENCH-JAPANESE COUPLE, SEPARATING AFTER A BRIEF RELATIONSHIP.



Through a series of long conversations between the two lovers caught in a ill-fated relationship, it recounts effects of the Hiroshima bomb blast (loss of  life, friends and relatives, etc), and compares and relates them to the relationship.

It became an early example of the La Nouvelle Vague (FRENCH NEW WAVE) school of filmmaking in the 1950s and 1960s, through its use of innovative editing, narrative, and visual styles.

- JANUARY 1, 1977: BRITISH NEW WAVE BAND ULTRAVOX RELEASES 'HIROSHIMA MON AMOUR', ON THEIR SECOND ALBUM 'HA HA HA'.



It signified a departure from their earlier 'artschool/glam/punk' style, and was an early example of the 'synthpop' sound later embraced by such bands as Depeche Mode and Heaven 17, and also the New Romantic/New Wave movement of the late 1970's and early 1980's.



- SEPTEMBER 26, 1980: BRITISH SYNTHPOP BAND 'ORCHESTRAL MANOUEVRES IN THE DARK' (OMD) RELEASE 'ENOLA GAY', A CRITIQUE OF THE USE OF THE ATOMIC BOMBS.



"Enola Gay, you should have stayed at home yesterday
Aha words can't describe the feeling and the way you lied

These games you play, they're gonna end in more than tears someday
Aha Enola Gay, it shouldn't ever have to end this way

It's 8:15, and that's the time that it's always been
We got your message on the radio, conditions normal and you're coming home

Enola Gay, is mother proud of LITTLE BOY today
Aha this kiss you give, it's never ever gonna fade away

Enola Gay, it shouldn't ever have to end this way
Aha Enola Gay, it shouldn't fade in our dreams away

It's 8:15, and that's the time that it's always been
We got your message on the radio, conditions normal and you're coming home

Enola Gay, is mother proud of little boy today
Aha this kiss you give, it's never ever gonna fade away"

*"LOST AT SEA NYC DOES NOT SUPPORT OR CONDONE THE USE OF ATOMIC WEAPONRY EXCEPT IN CERTAIN SITUATIONS WHEREIN WE OURSELVES WOULD BENEFIT."

KOOLS

Dread Meets the Punk Rockers...


Don Letts

Wonder Products of the 21st Century

Many of you have written us letters and emails complaining of nocturnal breast discomfort and the resultant back and neck pain, not to mention the concern over developing 'breast wrinkles'. So in our continuing effort to be sensitive and supportive to the needs of Women (Ladies), LAS-NYC is pleased to present a true Wonder Product of the 21st Century - the Kush Breast Support System.



It offers support for:
Side Sleepers
C-Cup or Larger
Breast Implants
Chronic Lactators and Nursing Mothers
Prevents Cleavage Wrinkles
Post Operative Recovery
Neck and Back Pain



No longer must you "simply tolerate" the pull of gravity on your lady lumps, or sleep on your stomach (ultimately hyper-extending your back and spine, thereby actually HEIGHTENING the problems!), nor must you recruit your husband or sympathetic neighbor to provide support and security throughout the night.



Simply place the Kush Support between your breasts and sail off into a restful nights sleep.

Doors of the City


foto by Jane Doe